A multigenerational novel of love, oppression, trauma and the pursuit of freedom, inspired in part by the author’s own family history, China Room twines together the stories of a woman and a man separated by more than half a century but united by blood.

Mehar, a young bride in the rural Punjab of 1929, is trying to discover the identity of her new husband. She and her sisters-in-law, married to three brothers in a single ceremony, spend their days hard at work in the family’s ‘china room’, sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that puts more than one life at risk.

Spiralling around Mehar’s story is that of a young man who, in 1999, travels from England to the now-deserted farm, its ‘china room’ locked and barred. In enforced flight from the traumas of his adolescence-his experiences of addiction, racism and estrangement from the culture of his birth-he spends a summer in painful contemplation and recovery, before finally finding the strength to return home.